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Sentrifuge

by Pjusk

supported by
The gaye device
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The gaye device Wonderful album of gorgeous dreamy modular synth soundwaves that really take your mind away to pastures new. Something different from the usual ambient scene. Interesting and ever changing makes a compelling listening experience.
Devavrata Singh Thakur
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Devavrata Singh Thakur One word for it…
Masterly!!!
Nathan Duin
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Nathan Duin It is a significant accomplishment to release two full length records in close succession that are both recognizably Pjusk yet wholly distinctive. In my view they are equally excellent but I'm particularly enjoying the dark undercurrents of Sentrifuge. I do hope that Pjusk enthusiasts can hear this on CD or lossless download - there is a lot going on sonically that might otherwise get missed. Favorite track: Jeg går i land.
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  • Compact Disc (CD) + Digital Album

    Duplicated CD in Beautiful Digipak

    Includes unlimited streaming of Sentrifuge via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $8 USD  or more

     

1.
Aftenblå 06:50
2.
Randsone 10:36
3.
4.
Ikke se ned 07:27
5.
6.
7.
Fabelverden 06:03

about

"Our Norwegian electrically actuated Pjusk (Jostein Dahl Gjelsivik) inevitably delivers assurance time and time again, adopting a new modular approach alluring adept dexterity beyond the fiefdom of the current electronic étude.

On his latest release Sentrifuge, the artists’ ability perambulates its very own centrifuge with a glorious subterranean throb of instinctive pulsation apart the pale of expansion on the pre-release featured track “Randsone.” With further navigation through the steepening brine of “Den Jeg Var Før,” Pjusk certainly takes one breathlessly into the one they were before, wading into an immediate sidestep into the marching macrocosm “Ikke Se Ned.” Lush warmth elongates the clacking tides flowing in the duration of the “Tidevann Og Kosmisk Asfalt” as mountainous realms evaporate in the final Tibetan exploratory acquiesce of “Fabelverden.”

As a veteran crux within the ever-evolving electronic panorama, Pjusk aligns with Somewherecold Records for the first time on Sentrifuge, expertly demonstrating his unique handle and personal proficiency in electronic composition and shifting platonic activity."
i P è n
igloomag.com/reviews/pjusk-sentrifuge-somewherecold

"Shaping washed-out, layered abstractions of thoughts, time, moods and places from out of the “modular system” apparatus and what sounds like the air itself, the Norwegian electronic artist Jostein Dahl Gjelsvik tries something a little different with his newest Pjusk release.

Subtly sculpting ambiguous, mysterious ambient worlds that never quite settle – traversing as they do the dreamy, otherworldly, fabled and cosmic planes -, Jostein’s inaugural release for the crazily prolific Somewherecold imprint favours slow builds and reverberated undulations that merge the organic and mechanical; a soundtrack in which the reedy rasps of an obscured instrument can conjure up Tibetan mystique whilst pondering a cloudless, incandescent blue evening sky, or, convey kosmische-like space freighters travelling towards alien paradises.

Modulations, sine waves, chinked and chimed bottles, metallic purrs and burns, zip-wires, liquefied shapes, solar winds, mirrored reversal effects are used to create visions of a propeller-propelled leviathan machine hovering over beautifully rendered landscapes. The tinkling of a buoy on a topographic ocean; a patchwork of firework stars; ethereal cosmic sirens; places in which gravity doesn’t exist, Jostein’s centrifugal motioned ship glides across and lands amongst some magnificent contemplative and stirring scenes.

Occasionally a quiet synthesised beat, some drum pad rhythm adds a semblance of direction and propulsion. Traces too can be felt, heard of distant radiowaves, broadcasts; the drifted resonance of voices and music caught in the atmosphere. Shades of neoclassical Roedelius, some of Tim Story’s piano touches, a little bit of Mapstation, Edgar Frosse, Air Liquide and early Aphex spring to my loosened mind, on what is a really impressive slow-moving modular and tonal piece of escapism."

~Dominic Valvona
monolithcocktail.com/2022/03/09/the-perusal-27-el-khat-ukraine-special-kick-kristine-leschper/

credits

released March 18, 2022

All tracks composed and produced by Jostein Dahl Gjelsvik
Mastered by Jason T. Lamoreaux
Cover artwork by Ralph Christensen

Thanks:
Jason Lamoreaux, Ralph Christensen, Dag-Filip Roaldsnes, Uwe Zahn

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